A workshop that examines communicative dynamics within social group settings. Social Mirroring (Rehearsal) Friday May 03, 2013 Hosted by the New Museum Location: the Old School: Prince and Mott Street, New York City. 12-2pm We can improve our sense of self and relieve social anxiety by interacting with groups of people. This work was performed by a group of volunteers, Organized by Common Space, Choreographed by Jon Santos in collaboration with Lisa Levine and Juri Onuki with a sound composition by Abby Echiverri. Social Mirroring (Performance) Saturday May 04, 2013 Hosted by the Storefront for Art and Architecture Location: Spacebuster. Sarah D Roosevelt Park, New York City. 12-2pm
2013 programming was balanced in such a way where we could experiment with the creative cycle / implemetation. We had the chance to test out some ideas on how to focus workshop efforts earlier in the day into something that could be implemented later on in the evening. A simple example was the Masquerade / Ball party which essentially some workshops earlier in the day were meant to be put to use later. Ex: Heidi Lee : Origami Hat Making > Babylon Ball Ex: Confetti System : Pinata Party > Babylon Ball Ex: R-WW-R : Costume Making > Babylon Ball Ex: House of Ninja : Vogue Dancing > Babylon Ball 2013 Overview. Video: Common Space with Yuan Liu. 2013 House of Ninja Voguing Performance. Photo: Jimmy Pham. 2013 Hat Making with Heidi Lee. Photo: Yuan Liu. 2013 Tie Dying with Shabd. Photo: Yuan Liu.
By Jon Santos January 5, 2013 In this work, Spatial design is reduced to a symbol. The form of the geodesic dome personifies architecture and acts as it’s effigy. Upon the occasion of the first Last Weekend event in 2012, I asked Huy Bui and his team to construct a geodesic dome with the intension of burning it down. The dome represents the utopian visions of Buckminster Fuller and the optimism of 1960’s counterculture. The process of burning it in this context is a cleansing ritual. I think of the geodesic dome as an aspirational utopian form, stripped of it’s function. Coincidentally, In the spring of 2012, a dome was implemented to be used as a performance venue at MomaPS1 in Long Island City. A month after we burned our dome at Camp Lakota fall 2012, Hurricane Sandy hit the eastern seaboard and as part of a relief effort, MomaPS1 implemented another performance dome at Rockaway. The cultural zeitgeist and symbolism of the geodesic dome is no longer burdened with nostalgia.
Common Space presents a group exhibition with artists Andrew Kuo, Sebastian Kim, Jon Santos, Milano Chow, Deanne Cheuk, Saiman Chow, Masayo Kishi, Yuh-Shioh Wong, and Confetti System. Wednesday June 3rd through Sunday June 7th, 2009 Location: 179 Canal Street, 2nd Floor “Blind Carbon Copy” is a sly appropriation of a day’s corporate drama. Narrative action item: Global media conglomerate headquartered in New York City commissions program bringing to the table ethnic diversity. Visionary program shall jam the culture inbox, host panel discussions, culminate with cutting edge art exhibition in midtown corporate lobby. Month of June: the Asians. Global conglomerate enlists core competency to brain dump Asian American artists to hang their art in beige hallways of media triumphalism. Eleventh and a half hour division head issues the disintermediate: Shut it down. At the end of the day refers to what happened during the day – what got dealt, what got salvaged, what got tossed out. At the end of the day, “Blind Carbon Copy” re- shuffles the deck to communicate an elliptical difference, even as that …
Jon Santos, asked over 50 artists earlier this year to bring something back from the dead. The result – Resurrection – a self published book compiling images and texts created by artists who were invited by Santos to create work for this publication. Resurrection was inspired by a visit to the Manila South Cemetery in the Phillipines, where his grandmother is buried and where families live in makeshift houses in-between mausoleum’s and stacked casket grave sights. It was here that Santos encountered a 9-year-old boy who was born and raised amongst graves and wilted flowers, a community made up of families squatting beside mausoleums. The fine line between life and death became eerily apparent, and the analogy of life cycles within popular culture triggered a concept. Resurrection is an amorphous and omnipresent theme, existing in various mediums of music, art and fashion. Contributing Artists: AK Burns, Andrew Kuo, Andrew Paynter, Anton Esteban, Antonia kojuharova, Asha Schechter, Aurellio Valle, Babak Radboy, Bob Linder, Carol Taveras, Cendrine Colin, Christopher Ruess, Christian Jankowski, Dain Blodorn, …
Full Color, 44 pages. 2011. Published by Common Space. Large format publication 11 x 16.5 in Pâté is an appraisal of Kuwaiti taste. Blurring the line between fashion and art-book, Pâté explores how affluence, the West, censorship, and religion have shaped a nation’s style. In concept, Pâté is an homage to The Better Class (by Alice Colombo), a satirical fashion and lifestyle publication created in 1974. Borrowing the structure of The Better Class, Fatima Al Qadiri and Lauren Boyle have assembled a pastiche, pairing the most unapologetic text from Western fashion writers with rare images from various fields of Kuwaiti taste such as architecture, interior design and radical makeup art. In this mash—this fashion “spread”—Pâté captures the aesthetic evolution of an Arabian Gulf state from the 1970’s to the present.
2014 Common Space is co-hosting Omar Souleyman with Jeffrey Deitch and NADA. NADAWAVE is a series of musical performances created by Common Space and organized in collaboration with NADA (The New Art Dealers Alliance) that take place during the Miami art fair held in December each year. 2014 will be our fourth year. NADAWAVE is a reference to the “No Wave” movement of underground music, super 8 film, performance art, video art, and contemporary art that had its beginnings during the late 1970s through the mid-1980s in downtown New York City. NADAWAVE is a cross section of reactionary artists who innovate musical genres through experimentation and improvisation. The series focus is on those who create unexpected audible forms at the overlap and unlikely combination of sounds that take root in jazz, hip-hop, electronic, bass, funk, noise and experimental music – presented in the context and vibrance of a high energy dance party. #nadawave 2011-2013 contributing artists: Venus X, Fatima Al Qadiri, Kingdom, NguzuNguzu, Total Freedom, J-Cush, Lauren Devine, Lafawndah, KWow, Nightfeelings aka Teengirl Fantasy, Drooids + Merkx & Gwynne, …
Shigenobu Twilight is a limited edition handcrafted scent by NY based artist Anicka Yi and architect Maggie Peng. The scent uses three different kinds of cedar wood as its base note, along with violet leaf and nutty heart notes, and top notes of yuzu, shiso leaf, and black pepper. The packaging for this hand-distilled fragrance is made of raw cedar wood, each one uniquely hand-cut in architectural geometry, encasing a 10ml glass bottle of liquid within. We worked on graphics, a short film and and produced an event to launch the second edition of 50 units. Anicka created multiple fragrance tablets impregnated with the fragrance Shigenobu Twilight for an exhibition at GAMeC in Bergamo, Italy. These sculptures are part of an ongoing umbrella project she has been developing called the Flavor Genome. This project seeks to explore an elaborate mapping of subjectivities through the concept of “flavors”, taking reality as an elaborate matrix of perceived unique essences. We worked with Anicka to design and produce packaging for the fragrance tablets that were inserted into the exhibition catalog.
Common Space is pleased to announce Telegraph, a sound installation installed at the Storefront for Art and Architecture’s 30th Anniversary Gala at 5 Beekman Street in New York City. Telegraph is a “re-coding” of the song Telegraph recorded by the British New Wave group Orchestral Manoeuvres in the Dark in 1981. We commissioned Matthew Patterson Curry (Safety Scissors) to remake the song by deconstructing the composition into individual tracks which will then be re-performed to span 3 hours of time. Telegraph played in conjunction with another sound installation by Vito Acconci titled “You Are Here (& there, too, etc).” This work includes a journey through Storefront’s 30-year history. As part of the piece, Acconci narrates and interrogates the organization’s exhibition history with his own personal commentary. The installation will move throughout all rooms on the 9th floor via custom sound software designed by David Rife. Telegraph seeks to create a virtual mis en scene of unrealized space deploying interactive bodies, actors in a performance of spatial awareness.
F.S.C. hosted a design build competition during camping trip which called for the creation of a primitive luxury good. Participants were asked to take the “roughing” out of “roughing it.” Common Space teamed up with Matt Penrose & Situ Studio to create a collapsable dog tent made with bio-degradable plastic. This prototype shelter is collapsable and comes rolled up in a bag.
2011, 3 single channel looping videos projected onto a folding table, plaza wall and bed-sheet hung in a hallway. Site: Intramuros historic district in Manila, the capital of the Phillipines. Curated by Anton Lopez. November, 2011.